ARTURIA MINIMOOG V 1.6 MOD
ARTURIA MINIMOOG V 1.6 SOFTWARE

The third is the pan position, so if you now want to make your sounds buzz around your head like an angry wasp, you can do so. I've already mentioned the two new modulation destinations within the formant filter. The extension of the concept on V2 is much more flexible, and should reward experimentation. Some early multiвЂ‘keyboards and synths offered aВ very primitive version of this idea, whereby some sounds would only play once you had exceeded aВ definedВ number of simultaneous notes played. This is aВ curious facility that allows you to affect each note differently, depending upon whether it was the first you played, the second, the third and so on. The third - when played in polyphonic mode - is the voice number.

The new sources include two triggered, quasiвЂ‘random signal generators that emulate the operation of traditional Sample & Hold modules.

ARTURIA MINIMOOG V 1.6 MOD

The modulation matrix offers three new mod sources, three new destinations, and an extra slot in the matrix itself, which is increased in size from three to four slots. Zooming in on the Sound Map allows to select four adjacent patches and create aВ new one whose parameters are determined by the relative position of the cursor between them. Careful programming should yield excellent results. What's more, aВ dedicated LFO allows you to rotate the sound through the different vowels, and two new destinations in the modulation matrix allow you to move the filter's position on its XвЂ‘ and YвЂ‘axes. Nonetheless, it's aВ powerful tool, especially since you can move the vowel positions around in the filter's X/Y display to reвЂ‘order them and change the intermediate sounds generated between them, and you can control the amount of filter resonance to alter the intensity of the effect. Passing white noise through the filter and viewing the results on aВ spectrum analyser shows that it imposes no fewer than five formant peaks onto the signal so, to some extent, I'm surprised that the vowel sounds it produces are not more realistic.

This is patched permanently into the signal path, but aВ wet/dry knob allows you to defeat it fully when desired. Perhaps of greatest interest will be the addition of aВ vocal (formant) filter. Only one of these is visible in its soвЂ‘called 'classic' mode (the new VCO2 keyboard tracking on/off switch), but as soon as you flip up the control panel to reveal the extra goodies tucked away beneath, you can see that there's aВ lot more here than in earlier versions. The Sound Map provides aВ novel threeвЂ‘dimensional (up/down, left/right and shape/colour) representation of your sounds.Д¬omparing V2 with earlier versions, it's clear that the differences are not trivial. Ladies and gentlemen, IВ give you Minimoog V2.

ARTURIA MINIMOOG V 1.6 SOFTWARE

How can a software synth developer move forward when they've already programmed aВ Minimoog soft synth that sounds remarkably like its inspiration, is robust and runs on almost every platform? There's only one sensible answer: expand its facilities, but do so in aВ way that doesn't detract from the essential Minimooginess of the original software. Clicking on the latter reveals the Curve Editor, which allows you to record and draw complex modulation curves. With the panel flipped up, you discover all the extra goodies on offer, including the Vocal Filter and the Motion Recorder. Minimoog V2 adds features the original Moog hardware didn't possess.

Arturia minimoog v 1.6